Today I’m excited to share my review for Weep, Woman, Weep by Maria DeBlassie. I was thrilled to be invited to read this novella in exchange for an honest and unbiased review, after falling in love with her non-fiction book Everyday Enchantments. The blurb promised a dark, unusual with a strong character and premise, scroll down to see if it was achieved.
A compelling gothic fairytale by bruja and award-winning writer Maria DeBlassie.
The women of Sueño, New Mexico don’t know how to live a life without sorrow. That’s La Llorona’s doing. She roams the waterways looking for the next generation of girls to baptize, filling them with more tears than any woman should have to hold. And there’s not much they can do about the Weeping Woman except to avoid walking along the riverbank at night and to try to keep their sadness in check. That’s what attracts her to them: the pain and heartache that gets passed down from one generation of women to the next.
Mercy knows this, probably better than anyone. She lost her best friend to La Llorona and almost found a watery grave herself. But she survived. Only she didn’t come back quite right and she knows La Llorona won’t be satisfied until she drags the one soul that got away back to the bottom of the river.
In a battle for her life, Mercy fights to break the chains of generational trauma and reclaim her soul free from ancestral hauntings by turning to the only things that she knows can save her: plant medicine, pulp books, and the promise of a love so strong not even La Llorona can stop it from happening. What unfolds is a stunning tale of one woman’s journey into magic, healing, and rebirth.
CW: assault, domestic violence, racism, colorism
Weep, Woman, Weep is a dark, creepy and atmospheric gothic novella following the life of Mercy, who lives in a town blighted for generations by the actions of the water witch, La Llorona. Set in New Mexico, the descriptions and tone immersed in the culture and scenery. My knowledge of the area and culture is limited; it was refreshing to be somewhere different, hear Mercy’s voice and come away with a longing to know more.
Told in first person, Mercy’s voice and voice leapt off the page and it often felt like she was sitting in the room with me recounting the story. With strong characterisation and sense of place, reading it was a highly visual and haunting experience that often sent shivers down my spine and I felt grateful I am far from any waterways. Mercy’s observations of her fellow neighbours and town folk highlighted the racial and gender prejudices and raised many questions about interactions between communities and family. Witchcraft and magic are threaded in throughout, but differently to any book I’ve read. Like many fairy tales, there are many layers that could be unpicked and discussed, making it a book you long others to read so you can have long and deep conversations. The constant threat of La Llorona and Mercy’s fight for survival against her magic made me keep turning the pages long after bedtime.
Would I recommend?
Yes, if like me you’re a fan of the unusual or gothic and haunting reads this is one to try. With a strong voice, atmospheric creepiness and powerful storytelling, it’s one to enjoy as the nights draw in and we head towards my one of my favourite times of year, Halloween.
The team at the The Enchanted Emporium would also recommend and know it will be a firm favourite with customers on the Enchanted Emporium bookshelf. In fact, if Dr Marie DeBlassie visited England, Willow would invite her for a cup of tea and a chat about all things witchy and folklore.
Dr. Maria DeBlassie is a native New Mexican mestiza and award-winning writer and educator living in the Land of Enchantment. She writes about everyday magic, ordinary gothic, and all things witchy. When she is not practicing brujeria, she’s teaching classes about bodice rippers, modern mystics, and things that go bump in the night. She is forever looking for magic in her life and somehow always finding more than she thought was there. Find out more about Maria and conjuring everyday magic at www.mariadeblassie.com.
Recently, I found a book that immersed me into the story from the start with an outspoken, waspish centenarian witch who reluctantly takes a woman under her wing. This is one thing I’m grateful to Facebook for as it kept popping up on my newsfeed making it impossible to resist. Today I am very excited to have The Woman and the Witch’s author Amanda Larkman popping in to to talk about her book, magic, reading and writing tips. My review for her book can be found here.
The Woman and the Witch Blurb
‘I see the wood first. A knitted shawl of green and black tossed across the shoulders of the ancient hills. I take a great gulp of breath, my lungs no longer compressed by cages of contorted bone. I want to drink the cool air like water, scented as it is with earth and starlight.But as I drift close to the house, I falter. Something is wrong. I will myself on, ignoring the whispers of pain beginning to curl up from my bed-ridden body. A ball of dread is growing in my stomach; it is so terribly black and heavy it slows me down. My hands shake. The light is gone.’Nothing ever changes in the village of Witchford until the day a hundred year old, bad-tempered witch falls and breaks her hip, and a fifty year old cleaner decides her life is over. Both are haunted by ghosts, but can Frieda help Angie to find out what her long dead father is trying to tell her? And can Angie help Frieda fight off the wolf who circles ever closer?
Hi Amanda. I am thrilled you could join us today. Your book The Woman and the Witch bring together Frieda a 100 year old witch and Angie, who is in her 50s.They are two very different characters, do you share any of their traits?
I very much identify with Angie. The loss of her child was the way in which I processed the loss of my first son, James, who was stillborn at 42 weeks. But more generally, I wanted to explore a character who had ended up limping along in a marriage that died many years ago. At 50 she has resigned herself to a dull, unloved life that won’t change, her adventures are behind her. Meeting Frieda (as well as her husband’s affair) opens Angie’s eyes to everything she was capable of, getting rid of her self-limiting beliefs.
Frieda is a character I really enjoyed creating, very much based on my grandmother who I looked after for a short time when she was in her mid-90s. Absolutely uncompromising and not interested in pleasing anyone. She was very different to me – I hate upsetting people! – so I had a whale of a time having her go round being rude to people. She’s brave, strong and (despite her outward appearance and behaviour) kind. I hate the way our society overlooks and dismisses elderly people – especially women – and I wanted to explore a character who doesn’t give a stuff about ‘proper’ behaviour, and has the power to back it up, righting the wrongs she sees around her.
Angie is a character I connected to from the start, but she isn’t the young apprentice associated with books where a witch takes someone under her wing. Was this a conscious decision?
Both Frieda and Angie didn’t go down the path they were supposed to. Frieda absolutely rejected the idea of taking on a young apprentice and suffers because of that decision. Because of her father, Angie never discovered what she was capable of until she met Frieda. I supposed I subverted the young apprentice trope as I wanted to celebrate women no matter their age, while passing on and reinforcing the idea that it is never too late. Despite what society tells us, life doesn’t end at 29.
Her story gave me a boost to stop procrastinating and continue to follow my dreams. Frieda is a complex character and not the nicest person making her a joy to read when she gets her revenge however small on people by magical means. What came first the characters or the plot?
Definitely characters. The idea for the book sprang fully formed into my head when I pictured a plumber in a kitchen with a bent over, wizened old woman sitting smiling sweetly in the corner zapping him with invisible darts and making his tools fall to the floor whenever he reached for them. The idea made me laugh and got me wondering what else she could do.
The story deals with magic and ghosts. Have you ever had any supernatural experiences and if so, did this influence your storytelling?
Not really. I think of the magic in the book as being very real. I have read many studies that prove the power of nature, walking in the woods can lower your blood pressure, hugging a tree can help with anxiety… as well, of course, the recognised benefits of herbs and flowers. So. what I did with The Woman and the Witch was to take this to the next level and find a woman who could somehow harness the power and energy of the natural world.
Where did you get the idea for this book?
I think a combination of remembering my grandmother, reading articles on the restorative power of nature, and hitting 50!
What is your favourite book?
Captain Corelli’s Mandolin.
Who is your favourite author?
Oooh impossible to choose! The ones on my list whose books I automatically order without even knowing what they are about (in no particular order) are… Marian Keyes, Sophie Hannah, Nicci French, Jilly Cooper, Kate Atkinson, Jenny Colgan, Liane Moriarty, Maggie O’Farrell, and Lisa Jewell.
It is a cruel question because it is hard to choose a favourite but some of my go to authors are on your list too. What are you currently reading?
I’m teaching Chaucer at the moment, and the whole pandemic nightmare has meant I am finding reading anything challenging really hard. So, I am currently working through Marian Keyes’ back catalogue (again) and am looking forward to re-reading ‘Rachel’s Holiday’.
Is your writing influenced by the books you have read?
Yes, definitely. I read all the time and have to work hard to not let someone else’s style leak into mine. I think I’ve only just found my voice or style and it took my thirty-five years!
Where is your favourite place to read or write?
Bed! And if my family won’t let me stay there, the kitchen table.
When did you begin writing and how did being published come about?
I’ve got drawers stuffed with terrible novels I’ve written every few years since I was about 15. I’ve spent thirty years sending them out to agents and never had any luck. I felt ‘The Woman and the Witch’ had an important message, so I spent three years making it the best it could be. Most of that time was chucking great chunks of it out and re-writing the damn thing! With a full-time job and two demanding children it was very hard to find the time and I had to be terribly selfish.
When I was finally happy with it (and I was really sick to death with it by the end!) I sent it off to agents again. Most didn’t even reply, but a couple said they liked it but as it was difficult to categorise they didn’t think it would sell well to publishers.
This time instead of giving up I thought ‘sod it, what would Frieda do?’ and decided to publish it independently. I was expecting to sell a handful of copies and for it to sink into obscurity, but people seemed to have liked it and I’ve had some lovely reviews that have sent me over the moon! I am so happy people have enjoyed it as well as being kind enough to come and tell me they liked it.
I loved it as you can see from my review here.Do you reread books or do you only read them once?
Re-read old favourites all the time.
Quite a lot of people have decided to write during lockdown. Do you have any advice for aspiring authors?
I can only say what worked for me; everyone is different, so it’s all about finding what works for you. Marian Keyes has put together a series on becoming a writer on YouTube and its brilliant and FREE!
Write every day – I aim for 1,000 but sometimes life gets in the way. But it does get you into the groove. Even if putting a word down feels like climbing a mountain, just keep putting one foot (or word) in front of another. Eventually the brakes will come off and you’ll write a great whoosh of thousands that will tumble out of you. The next day you might be back to one word every ten minutes, but the whoosh will come back.
Get a first draft down. Even if it’s utter rubbish, get the draft down. It’s much easier to work on a rubbish draft than it is a blank page.
Don’t let anyone see it until you finish it. You need to get what is in your head down first and then tweak it. People will interfere and make you lose confidence, which is death to anything creative. Wait until your draft is pretty solid before exposing it to the cold eyes of a beta reader!
I agree with Marian Keyes series, it is wonderful and she is so open and natural in her approach. It can be found here for those wanting to give writing a try or need some advice.
Thank you Amanda for joining me today, it has been great chatting to you and I hope to read some more of your work in the future.
Amanda Larkman was born in a hospital as it was being bombed during a revolution. The rest of her upbringing, in the countryside of Kent, has been relatively peaceful.
She graduated with an English degree and has taught English for over twenty years. ‘The Woman and the Witch’ is her first novel.
Hobbies include trying to find the perfect way to make popcorn, watching her mad labradoodle run like a galloping horse, and reading brilliant novels that make her feel bitter and jealous.
She has a husband and two teenage children, all of whom are far nicer than the characters in her book.
My second witchy book review* is To Catch a Witch by one of my favourite Yorkshire author’s Sharon Booth, who we met last year on my sister blog, From Under the Duvet. You can find her interview here. She is also a fellow member of the RNA and is an inspiration when I consider going down the indie path with some of my work. When I listen to her chat, the idea seems a viable option with a chance of success. It is the last novel in the Castle Clair trilogy. Read on to discover more.
Return to Castle Clair for the final chapter of the St Clair story.
It’s three hundred and fifty years since the famous witch’s leap happened in the North Yorkshire town. Riverside Walk is swarming with eager tourists, wanting to pay tribute to the legendary Blaise St Clair. It’s also Christmas Eve, and the family has gathered to celebrate an eventful year, and to look forward to even better times ahead.
But a shock event changes everything, bringing a whole lot of trouble to the door of Castle Lodge.
For something big is happening in Castle Clair. Strangers are arriving, a prophecy is unfolding, a mystery is deepening, a reckoning is coming … and someone’s getting rather too fond of Mrs Greenwood’s baking.
The past is colliding with the present, and the future is in jeopardy. No wonder the High Council of Witches is a bit miffed.
Will the St Clairs have enough strength, courage ~ and chocolate fudge cake ~ to see them through?
Or is this the end of the world as they know it?
I was mesmerised by the other two novels based in Castle Clair which tell the stories of Sky and Star St Clair and pre-ordered this one, eager for its release but delayed reading it until now. Why? I did not want the series and the magic to end. Mistake. Big mistake, I could have reread the entire series by now. What was not a mistake was the timing. Celeste’s story begins on Christmas Eve, the 350th anniversary of Blaise St Clair’s death at Witches Leap, making it an ideal book for October with the preparations of both Halloween and Christmas. Witches and Christmas, my favourite things make it a winning combination.
Sharon Booth’s wonderful storytelling invoked the Christmas spirit and drew me into the St Clair’s world. The opening chapters are upbeat, quirky, and full of laughter as well as trepidation of what is to come. The many references to Dr Who to describe the situation made me smile and added to the festive atmosphere. Like the Muppet’s Christmas Carol, Dr Who specials make Christmas.
Celeste fast became my favourite witch with her innocent, romantic view of love, believing she will meet the one. Her gentle and kind nature makes her the ideal match for Blaise, the 17th century witch. I enjoyed watching him grapple with the steep learning curve of fitting in to the 21st century, including the changing roles of women and zippers. That scene is one I cannot get out of my head.
WOULD I RECOMMEND?
To Catch A Witch is witchy escapism wrapped up in an uplifting romance that also revisits the other St Clair sisters. With many twists and turns, it was a joy to read and is firmly one of my forever shelf with the rest of the series. This has become my favourite, but it would be wrong to read it again without the others. I can feel a Halloween tradition brewing.
Sharon Booth is a member of the Romantic Novelists’ Association and writes uplifting women’s fiction — “love, laughter, and happy ever after”. Although a happy ending for her main characters is guaranteed, she makes them work for it!
Sharon grew up in the East Yorkshire town of Hessle, where her enduring love for all things Yorkshire was born. She now lives in Kingston-upon-Hull with her husband and their much-loved German Shepherd dog.
Since giving up her admin job at a medical practice, she spends a lot of time assuring her family of five children, assorted in-laws and hordes of grandchildren – not to mention a sceptical mother and a contrary hairdresser – that writing full-time IS a “proper” job and she HASN’T taken early retirement.
She has a love/hate relationship with chocolate, adores Doctor Who and Cary Grant movies, and admits to being shamefully prone to all-consuming crushes on fictional heroes.
My first witchy book review is Magic Lessons by Alice Hoffman. As soon as I read she was writing a prequel Practical Magic explaining the origin of the Owen curse, the countdown to publicationwas on. After reading Rules of Magic last year, I fell in love with her prose and the Owen family. I was thrilled to be given an ARC to review via NetGalley. Read on to see if it was worth the wait.
If like me you love listening to interviews with authors talking about their books, read on for a gem of a chat.
Where does the story of the Owens family begin? With a baby abandoned in a snowy field in the 1600s. Under the care of Hannah Owens, little Maria learns about the “Unnamed Arts.” Hannah recognizes that Maria has a gift and she teaches the girl all she knows.
When Maria is abandoned by the man she loves, she follows him to Salem, Massachusetts. Here she invokes the curse that will haunt her family. And it’s is here that she learns the rules of magic and the lesson that she will carry with her for the rest of her life. Love is the only thing that matters
Despite my excitement I was anxious to begin this novel in case my high expectations were unfounded and there are times I struggle to read historical fiction, which this is. I need not have worried; the arrival of Maria into Hannah Owen’s life captivated me, and I remained in her world for hours; I did not want to stop reading.
Maria’s early carefree childhood with Hannah was a joy to read and connected me to her and Cadin, making the rest of the book an emotional ride as she travels across the globe to end up in Salem, Massachusetts. As a reader, you know the danger she will face when she blindly believes she will be fine. This knowledge added to the tension. The novel is short on dialogue which surprised me because it is a rare these days but I found I did not miss it because of Alice Hoffman’s talent for setting the scene, her magical prose and the observations of love in all its guises. The study of love with its joy and dangers is the core of this novel; it brings lightness, warmth, darkness, and destruction.
It is a well-researched historical fiction as seen in the lists of herbs, and spells written in the Owen’s grimoires and highlights the prejudice against women who are different and do not follow the social constructs created by men and the dangers they faced.
I have not read Practical Magic yet, and it is years since I watched the film, so my memory of her story was vague. I would be interested to hear what others with a firmer grounding of the curse think of Maria’s tale and the origin of the curse. Though this book is part of a series, you can easily read it as a standalone.
Would I recommend?
Alice Hoffman is a queen of magical storytelling, making Magic Lessons a pleasure to read. This emotional novel has depth, and I came away with the desire to wear my red boots with pride and the lessons of the Owens are tattooed in my heart. The observations of love in all its forms were what I needed to hear. It will be on my forever bookshelf with the rest of the series, ready for a reread and will inspire my own writing. Alice Hoffman’s shows how a novel involving witches and magic can be successful and loved in the mainstream.
Interview with Alice Hoffman about Magic Lessons
As promised an interview with Alice Hoffman discussing this book. I hope you enjoy.
Thank you Simon and Schuster via NetGalley for an advanced copy so I could give my honest and unbiased opinion.
Hello September! The beginning of my favourite season and Dystonia Awareness Month. As promised in my previous blog, I am sharing flash fiction written for the Dystonia Around The World challenge in aid throughout the month. My aim is to complete 1000 miles of writing to fundraise and spread awareness for Dystonia UK. I have faltered in my writing thanks to dystonia flaring but I am hoping to get back on track.For more information and my fundraising page, click here.
So following on from the woodland theme of A Walk in the Woods which I shared to celebrate 100 miles, here is The Fallen.
Her long fingers ran over the ridges of the rough bark, and along the smoother lime lichen. They dipped into a furrow, disturbing a black beetle in its resting place. It scuttled away. A lone tear escaped, betraying her efforts of being stoic. She bit her lip and gulped the sob down. When the news came in, she hoped this magnificent solid specimen would survive, but the abundance of blue sky at their approach confirmed her fears. In full leaf and his splendour finery on display, he did not stand a chance when the high winds ripped through the woodland, uprooting the sturdy, and whipping the young, testing their resolve to survive. The majestic were felled by an unforgiving and relentless storm set on destruction to transform the familiar and loved landscape. The words on the clipboard blurred as she marked her location on the map and scribbled on the form. Name: Quercus.
How many others would mourn the loss of the magnificent oak, the keeper of secrets, creator of memories? More than enough, she decided. There were those who stood under the green canopy for illicit kisses, the readers who immersed themselves in another world while cocooned in his branches and generations of children who learnt to climb on his accommodating lower limbs. She moved along to locate the lovers’ initials circled by a deeply scratched heart, a sign of their eternal love, except now it was over with the exposure of the labyrinth of roots ripped from the earth.
Age? She nibbled the end of her pencil. 569 years. Her certainty wavered but there was no time to check. The petrichor intensified as she bent down to place her ear and flat palm against the trunk, hoping to feel the low thud of his wooden heart. His silence matched the crows circling above.
No one knew it was coming. There was no warning. Her chest tightened. Except from Harold. His repeated mutterings of an incoming storm increased in strength the evening before, but they were ignored and then silenced by the turn of a bedroom key; all of them certain his prophecy belonged to a storm decades before, playing on a historical loop in his mind. It made no difference; it could not be stopped, but she could have captured the landscape in her memory one last time.
It’s the circle of life. The fallen would provide shelter and nutrient for the new, but the flash of neon yellow through the remaining trees and groan of machinery advancing said different. She pressed her lips to the bark and murmured her goodbye. With a flick of her black tipped delicate wings, she darted away.